Linoleum printing, or lino printing, has found a distinctive place in the art world since its inception in the early 20th century. From its humble beginnings as a wallpaper manufacturing by product, linoleum has come a long way, transitioning from a utilitarian material to an artistic medium that's now integral to contemporary British art.
Lino printing is a method of printmaking where a design is cut into the linoleum surface with a sharp knife, chisel, or gouge, with the raised (uncarved) areas then inked and pressed onto paper or fabric to create an image. This technique is an offshoot of woodcutting and offers the same bold, graphic aesthetic but with an added advantage - linoleum is softer, easier to carve, and less prone to splintering, making it an ideal material for artists.
Lino printing's resurgence in contemporary British art can be credited to its versatility, its capacity for unique personal expression, and the current wave of interest in traditional art forms. Its inherent simplicity lends itself to bold, impactful designs, whilst the physical, tactile process of carving into the linoleum allows for a level of expressiveness and connection to the artwork that digital processes often lack.
Moreover, lino printing plays a pivotal role in the democratisation of art. Due to the ease of producing multiple prints from a single carved block, artworks are more accessible and affordable, echoing the Pop Art movement's ethos of bringing art closer to the everyday person.
Today, lino printing is being embraced by a diverse range of artists and creatives across the UK. From print studios to art schools, and even home craft spaces, lino printing has seen a surge in popularity. The rise of independent art markets and online platforms like Etsy have also allowed artists to reach a global audience with their lino prints.
British artists such as Mark Hearld and Emily Sutton have been instrumental in propelling lino printing into the spotlight of the contemporary art scene. Their work, often inspired by nature and British folklore, showcases the dynamic potential of this traditional printmaking technique.
In conclusion, lino printing has carved a significant niche in contemporary British art. Its raw, tactile nature, combined with its capacity for personal expression and its role in art democratisation, make it a potent and enduring artistic technique. As we continue to celebrate and explore traditional art forms in our modern world, lino printing stands as a testament to the enduring power of handcrafted art.